Cold War Era Propagandistic Animations

One of the most notorious propaganda films ever made, Duck and Cover (1951), was aimed at school children. The 9-minute Civil Defense film used an animated turtle named Bert to show children how to survive a nuclear explosion or atomic attack by using a "duck and cover" technique under their desks. Later, Bert became a cultural icon in the documentary The Atomic Cafe (1982), and it was cleverly spoofed in The Iron Giant (1999) with a cartoon beaver. For its historical and cultural place within film history, it was inducted into the National Film Registry in 2004.

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UPA Productions - Columbia Studios

Some who left Disney Studios around the time of the studio's 1941 strike later established United Productions of America (UPA), a studio for cartoons distributed by Columbia, and known for simplified, stylized drawings of human characters in the Jolly Frolics cartoon series, such as Gerald McBoing-Boing (first seen in the cartoon Gerald McBoing-Boing (1951)) and the near-sighted Mister Magoo (with voice by Jim Backus).

Mister Magoo's first cartoon was Ragtime Bear (1949) - also in the same series of Jolly Frolics cartoons. The first of the Mister Magoo series of cartoons was Spellbound Hound (1950). Mister Magoo starred in UPA's first feature-length cartoon film, the 76-minute 1001 Arabian Nights (1959).

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The 1950s: Disney's Golden Age of Animation (continued)

In the 50s, Disney released more animated features, including the following full-length classics:

• Cinderella (1950), released on February 15, 1950; three-time Academy Award nominee: Best Score, Best Sound, Best Song (Bibbidy-Bobbidi-Boo) [Cinderella has been widely regarded as the most re-made storyline ever]
• Alice in Wonderland (1951), released on July 28, 1951; the Disney adaptation of the Lewis Carroll classic; its failure at the box-office offset the profits from the previous years' successful Cinderella
• Peter Pan (1953), released on February 5, 1953; Disney's version of James M. Barrie's story
• Lady and the Tramp (1955), released on June 16, 1955; Disney's first animated feature in CinemaScope
• Sleeping Beauty (1959), released on January 29, 1959; also in widescreen format; Academy Award nominee: Best Score

In order, Lady and the Tramp (1955), Peter Pan (1953), and Cinderella (1950) were the top 3 grossing films of the 50s. [Taking into account reissues and re-releases over the years as well as the original releases, the order of these top-grossing animated films of all time has been rearranged, placing Cinderella (1950) first, followed by Lady and the Tramp (1955) and then Peter Pan (1953).]

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Disney's Golden Age of Hollywood Animations in the 40s

The Golden Age of Hollywood cartoon comedy was in the late 1930s and 1940s. The critically-praised Pinocchio (1940) released on February 7, 1940 and based on Carlo Collodi's 1881 fable made a record $2.6 million and became the highest-earning film of the year. This second Disney animated feature also won two Oscars, for Best Original Score and Best Song (When You Wish Upon a Star). It was the rites of passage story of a wooden puppet (with Tyrolean britches) that came alive. The delinquent boy was accompanied by an ingenuous narrator/carpetbagger named Jiminy Cricket who served as the boy's conscience (and sounded like Benjamin Franklin). The ingenious animation used the multi-plane camera technique to create an amazingly life-like animation.

Disney experimented with other milestone, ground-breaking techniques that combined classical music and animation in seven separate episodes in the film Fantasia (1940), released on November 12, 1940. The film, with a production cost of more than $2 million (about four times more than an average live-action picture), featured Mickey Mouse as the star of the picture in Dukas' The Sorcerer's Apprentice, the mouse's only appearance in a feature cartoon. Fantasia was the fullest expression of Disney's earlier work on Silly Symphonies. [A sequel of sorts was released 60 years later, originally in the IMAX format, Fantasia/2000 (1999), with new interpretations of classical music (including Beethoven's Symphony No. 5, Elgar's Pomp and Circumstance, Stravinsky's Firebird, Shostakovich's Piano Concerto No. 2 - and Gershwin's Rhapsody in Blue), plus a replay of The Sorcerer's Apprentice.]

Other great classic Disney tales, animated features, and storybooks in the 40s included:

• Dumbo (1941) - the story of the baby elephant with big flying ears, released on October 23, 1941; Best Song nominee (Baby Mine) and Best Score Academy Award-winner
• Bambi (1942) - the masterfully poetic tale of woodland creatures and a deer, with the shattering scene of the killing of Bambi's mother; released on August 9, 1942; three-time Academy Award nominee: Best Song (Love is a Song), Best Score, Best Sound [Note: although the second Disney animated film to go into production, it ended up being the fifth release, due to extensive time-consuming research conducted on animals to make it appear exceedingly realistic]
• Saludos Amigos (1943), released on February 6, 1943; advertised as "Walt Disney Goes South American" with the introduction of Joe Carioca, the Brazilian Jitterbird; three-time Academy Award nominee: Best Sound, Best Score, and Best Song (Saludos Amigos)
• The Three Caballeros (1945), released on February 3, 1945; two-time Academy Award nominee: Best Sound and Best Score
• Make Mine Music (1946), released on August 15, 1946; a more modernized version of Fantasia (1940) with popular music by Benny Goodman, the Andrews Sisters, and Dinah Shore; the anthology included the classic tales Casey at the Bat, and Peter and the Wolf; also Blue Bayou, The Whale Who Wanted to Sing at the Met, The Martins and the Coys, All the Cats Join In, and Johnny Fedora and Alice Bluebonnet
• Fun and Fancy Free (1947), released on September 27, 1947; a combination of live-action and animation; included Mickey and the Beanstalk
• Melody Time (1948), released on May 27, 1948; included animated shorts about two American folk heroes: Johnny Appleseed and Pecos Bill; the last of Disney's large collections of animated shorts
• So Dear to My Heart (1949), released on January 19, 1949; a live-action film with some animation, starring Burl Ives; an Academy Award nominee for Best Song (Lavender Blue)
• The Adventures of Ichabod and Mr. Toad (1949), released on October 5, 1949; included the two shorts: The Wind in the Willows and The Legend of Sleepy Hollow

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The First Full-Length Animated Film

The earliest animated films that most people remember seeing are the later, more sophisticated Disney feature films that contain exquisite detail, flowing movements, gorgeous and rich color, enchanting characters, lovely musical songs and tunes, and stories drawn with magical or mythological plots. The first, full-length animated film was Disney's classic Snow White and the Seven Dwarfs (1937) released on December 21, 1937, which took four years to make and cost $1.5 million dollars. It was 1938's top moneymaker at $8 million.

It was financed due in part to the success of Disney's earlier animated short, The Three Little Pigs (1933). Although dubbed "Disney's Folly" during the three-four year production of the musical animation, Disney realized that he had to expand and alter the format of cartoons. He used a multi-plane camera, first utilized in his animated, Oscar-winning Silly Symphonies short, The Old Mill (1937) to create an illusion of depth. His version of the Grimm Brothers' fairy tale was the second of its kind - the first was a five-minute Snow White (1933) starring Betty Boop (with an appearance by Cab Calloway). Disney's risk-taking paid off when the film became a financial and critical success.

[It must be noted that another little-known but pioneering, feature-length animated film was released more than a decade earlier by German film-maker and avante-garde artist Lotte Reiniger, The Adventures of Prince Achmed (1926), based on the stories from the Arabian Nights. Reiniger's achievement is often brushed aside, due to the fact that the animations were silhouetted, used paper cut-outs, and they were done in Germany. And the rarely-seen prints that exist have lost much of their original quality. However, the film was very innovative -- it used multi-plane camera techniques and experimented with wax and sand on the film stock.]

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Tom and Jerry

In their first full teaming together, William Hanna and Joseph Barbera at MGM created the cat and mouse Tom and Jerry series (clearly influenced by the frenetic action in Tex Avery's work at Warners), comic adventures about Tom - a gray mangy cat, and Jerry - a wisely innocent mouse. When the cartoon series was first introduced in 1940 with the 9 minute Oscar-nominated Puss Gets the Boot (1940), Tom was called 'Jasper' and the mouse had no name.

Over 100 cartoons from 1940 to 1958 featured the two cartoon characters, and Hanna and Barbera were able to break Disney's Oscar monopoly for award-winning cartoons. They won more Academy Awards than any other cartoon series in history, except for Disney's Silly Symphonies. They won Oscars for Best Short Subject: Cartoon for the following animated cartoons:

• Yankee Doodle Mouse (1943)
• Mouse Trouble (1944)
• Quiet, Please! (1945)
• The Cat Concerto (1946)
• The Little Orphan (1948)
• The Two Mouseketeers (1951)
• Johann Mouse (1952)

In the last film Johann Mouse (1952), Jerry - the mouse, can't resist waltzing when he hears music from the master of the house, Viennese composer Johann Strauss. Tom, also a resident in the household of the Maestro, takes piano lessons to keep Jerry dancing and entranced - so that he can snatch him. One of their most famous cartoons was Mouse in Manhattan (1945) that featured a score by Scott Bradley (made up mostly of Louis Alter's "Manhattan Serenade" later used in The Godfather (1972) and Arthur Freed and Nacio Herb Brown's "Broadway Rhythm") and Jerry's adventures in the big city. [Hanna-Barbera were also responsible for animated TV cartoon shows including Ruff 'n' Ready, Huckleberry Hound, Yogi Bear, The Flintstones and Top Cat.]

Later, in a few famous sequences, Jerry the mouse danced with Gene Kelly in Anchors Aweigh (1945) - the first instance of the combination of live action and animation in a feature film. Tom and Jerry also performed an underwater fantasy dance with Esther Williams in Dangerous When Wet (1953). Famed animator Chuck Jones was assigned to produce new episodes for Tom and Jerry cartoons in the 70s at MGM - but they had lost their spunk and spirit by that time - and were ultimately unsuccessful.

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Walter Lantz Studios:

Oswald the Lucky Rabbit, Woody Woodpecker, and Chilly Willy

Walter Lantz (1900-1994), an early animator, and Charles Mintz (representing Universal and boss Carl Laemmle), took over the character Oswald the Lucky Rabbit from Walt Disney in 1928. The resemblance of Oswald to its biggest competitor, Mickey Mouse, was striking. Lantz made a series of black-and-white cartoons from 1929 to 1935, featuring the rubber-limbed, long-eared rabbit, including these early titles: Ozzie of the Circus (1929), Stage Stunt (1929), Stripes and Stars (1929), Wicked West (1929), Nuts and Bolts (1929), Ice Man's Luck (1929), Junegle Jingles (1929), Weary Willies (1929), Saucy Sausages (1929), Race Riot (1929), Oil's Well (1929), Permanent Wave (1929), Cold Turkey (1929), Amature Nite (1929), Snow Use (1929), Hurdy Gurdy (1929), and Nutty Notes (1929). Mickey Rooney was the first to do the character's voice. Lantz was noted for also making the first-ever Technicolor cartoon - the opening animated sequence to the live-action The King of Jazz (1930).

Another of Lantz' legendary creations was red-headed, blue-bodied, long-beaked, trouble-making Woody Woodpecker, with his distinctive laugh ("Ha-Ha-Ha-HA-Ha" by Mel Blanc) and voice (by Mel Blanc for the first four cartoons, and then by Ben "Bugs" Hardaway until 1948, and thereafter by Lantz' own wife Grace Stafford). Woody first appeared in the cartoon Knock, Knock (1940) distributed by Universal Studios, in which he bedeviled another Lantz character Andy Panda. The next year, the popular Woody became a starring character in The Cracked Nut (1941), and began to replace the waning Oswald the Rabbit.

Over the next three decades, Lantz made about 200 six-minute Woody cartoons. Woody's appearance was somewhat softened in The Barber of Seville (1944), but he still maintained his aggressive and slightly sadistic personality. A long-time adversary of Woody's, Wally Walrus, was introduced in The Beach Nut (1944), the same year. In 1948, the novelty tune, The Woody Woodpecker Song (written by George Tibble, Ramey Idriess and Danny Kaye) was released on record and became the #1 hit song (sung by Kay Kyser). The song was put into the latest cartoon, Wet Blanket Policy (1948) (with another new co-star arch-nemesis Buzz Buzzard) and was nominated for an Oscar for Best Song (it lost to Buttons and Bows in The Paleface (1948)). Young boys copied Woody's haircut, and fan clubs developed across the country. In the late 50s, The Woody Woodpecker Show first appeared on ABC-TV, and led to further shows and syndication.

A less popular but distinctive Lantz cartoon character was Chilly Willy - a penguin, who first appeared in 1953 in a cartoon titled appropriately, Chilly Willy (1953). Chilly's popularity soared when animator Tex Avery joined the Lantz Studio the following year and directed Chilly's second and third cartoons: I'm Cold (1954) and Academy Award-nominated The Legend of Rock-a-bye Point (1955) for Best Short Subject Cartoon (it lost to Speedy Gonzales (1935), a Warner Bros.' Merrie Melodies cartoon). As with Woody, Chilly Willy cartoons appeared all the way until 1972 - the last year of production.

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